Legendary's Godzilla 2014 News, Updates, And More IDW's Godzilla: Rulers Of Earth And Other Kaiju Comic News, Previews, And More Pacific Rim News, Updates, And More X-Plus, S.H. MonsterArts, And More Kauji Toy News, Previews, And More Kaiju Battle's Creature Feature: Learn All About The Many Kaijus
Showing posts with label Monster Movies. Show all posts
Showing posts with label Monster Movies. Show all posts

Saturday, April 26, 2014

Pacific Rim 2: Is The Sequel Still Happening?


From Cinema Blend

Hey, Hollywood? Where is that Pacific Rim 2 we were promised?

OK, we weren’t exactly promised a follow up to Guillermo del Toro’s combative, pulse-racing monsters-versus-robots blockbuster Pacific Rim. But movies that earn $411 million at the global box office tend to get a sequel. Movies that charm the critics (71% Fresh on Rotten Tomatoes) tend to get a sequel. And movies that have the writer and director blatantly talking about ideas for a sequel tend to get a sequel!

So where do we stand with Pacific Rim 2?

The original Rim hit theaters in July 2013, introducing an alternate future where Kaiju creatures emerged from our planet’s oceans, threatening our major cities. Once mankind realized these beasts weren’t going away, we came up with a way to fight back. We created skyscraper-sized robots called Jaegars, and trained pilots to use them in battle. And the program worked… for a while.

At the time of Pacific Rim's release, Del Toro – no stranger to sequels, having helmed two Hellboy movies – didn’t shy away from the sequel question. Pacific Rim screenwriter Travis Beacham teased fans by saying he hoped the movie earned enough money to justify Pacific Rim 2, because he and Del Toro had crazy idea. We were told that China was a crucial market to the success of Pacific Rim 2. Then, the film performed well overseas, and in August, Pacific Rim 2 looked likely.


Seven months later, Del Toro and some of the key players finally are talking.

In an interview with ShockTilYouDrop, Legendary Pictures head Thomas Tull approached the subject of pacific Rim 2, saying:
"I was literally just with Guillermo on the set of Crimson Peak. We talk about it and have some pretty great ideas. If they come to fruition and we get a great script, then we're open to it. Fans seem pretty passionate about it and working with Guillermo. So, we're open to it."
That backs up a conversation Del Toro had in October, where he told IGN that he was working on the screenplay for a Pacific Rim 2 with Beacham, but the power to greenlight it wasn’t his.
"We are writing the sequel. Travis Beacham and I are writing, so that is active. The decision to green light or not, that’s definitely above my pay rate."
He also confirmed work on Pacific Rim 2 to Rolling Stone in October:
"Legendary gave me the absolute go-ahead with writing the screenplay, so Travis Beacham and I are working on it. As far as giving it a green light, that's the big step of the process. We need to put together a budget and then they'll make that decision, but everybody is unwavering in their love for the movie."
Now that Legendary has said that they are open to it, however, the wheels should turn even quicker. The hold up might be attributed to Del Toro’s Crimson Peak, a horror thriller he’s currently filming with Tom Hiddleston, Jessica Chastain and Rim star Charlie Hunnam. Beyond that, his name has been attached to a Pinocchio reboot, and a DC adaptation of Justice League Dark.

But as Legendary prepares to launch a new Godzilla, and audiences’ attentions continue to focus on beasts emerging from the seas, you get he sense that Pacific Rim 2 is inching closer and closer to the production pipeline. Maybe even that crossover story we once imagined. Our fingers remain crossed.

We have our fingers crossed as well.

Sunday, April 13, 2014

KAIJUNITED : JAPANESE MONSTERS & US



Produced and Directed by Fabien Mauro

KAIJUNITED : JAPANESE MONSTERS & US is a documentary that invites you for a trip around the world searching for the fans of GODZILLA, ULTRAMAN and their fellow gigantic friends from Japan. The origins of a genuine passion lived ans shared by thousands from Paris to Tokyo but also in Chicago where the famous G-FEST convention is set every year.
Almost 60 after the birth of Godzilla, do those titanic creature still incarnate the anti-nuclear statement of the 50's ?
Or did they just become commercial icons with the massive merchandising ? The fans will bring the answers but also prestigious guests such as J.D. LEES (G-FAN editor), William Tsutsui (author of "GODZILLA ON MY MIND") or TOHO star AKIRA TAKARADA ("GODZILLA", "MONSTER ZERO").

Friday, March 21, 2014

NECA Pacific Rim Cherno Alpha 18" Figure Coming


The second Jaeger to receive the 18″ deluxe treatment, the massive mech Cherno Alpha features even more detail than its 7″ counterpart. Created directly from the digital files used by ILM in the making of Pacific Rim, and then further detailed by our top sculptors and fabricators, Cherno looks just like it did on screen.
Loaded with detail, realistic weathering, over 20 points of articulation and LED lights in the head to re-create the effects seen in the movie. It even features sliding fists! This figure is massive and can now join the fight to save humanity alongside 18″ Gipsy Danger.

Read more: http://necaonline.com/

Preview Of NECA Pacific Rim Scunner Figure



Following the success of the recently released deluxe Trespasser and Knifehead v.2 comes the next HUGE and highly requested Kaiju, Scunner!
From the epic Pacific Rim movie, Scunner is the largest of the Category IV Kaiju. Its appearance and behavior are akin to that of a bull. Broad and stocky, the two curved horns jutting out of its head act as battering rams against armored opponents like the Jaegers.
Scunner has four arms that are all poseable, along with a bendable tail and tons of detail and additional articulation.

Read more: http://necaonline.com/

Friday, March 14, 2014

NECA Reveals Series 4 Kaiju

Scunner

NECA revealed via Twitter the kaiju for series 4 of there Pacific Rim figures (yes that's right series 4!) below is there post.
Pacific Rim Series 4 Kaiju are Scunner & the concept model for Trespasser known as Axehead. The toy is quite different w new parts & deco
Axehead Concept

Tuesday, March 11, 2014

Bermuda Tentacles Announced As New Syfy Original Movie

Linda Hamilton (The Terminator) will star in SyFy’s new original made for TV movie, Bermuda Tentacles, as a U.S. Navy admiral battling an ancient sea monster.
Hamilton’s character is heading a rescue team sent to find the president after Air Force One goes down over the Bermuda Triangle. In the process, they awaken a sleeping creature that could wipe out the entire Eastern Seaboard of America and possibly the whole world.

Bermuda Tentacles is a production of The Asylum, who are also responsible for Sharknado. The cast also includes Trevor Donovan, Mya Harrison and Jamie Kennedy.
Bermuda Tentacles will air on SyFy on Saturday, April 12 at 9 PM ET.

Monday, March 10, 2014

Kaiju Battle Review : Pacific Rim Series 3 Knifehead, Cherno Alpha, And Coyote Tango



We reviewed the Pacific Rim Trespasser figure from NECA a few days ago now here is the rest of series 3.


First up Knifehead, he was released as part of series 1 but he was out of proportion with the other figures so NECA decided to release him again in a larger battle damaged version. As we mentioned in the Trespasser review he and Knifehead are based on the same design, the lower part, and arms of Knifehead is the same except for different paint scheme. Where the major diffence is with the main part of the body and head, the body is similar but they added a section to the neck and shoulder area, the neck has a longer look. The back plate is similar to the series 1 figure and not as pronounced as Trespasser's is. Also obviously is his head is different. Knifehead stands as the tallest kaiju almost seeming to big, not that we are complaining, he has a very good paint job including his blue blood splatter if there is an issue it is with articulation of the head and neck. Most of the figure is the same as Trespasser and better then the series 1 version except the neck seems stiff and kind of hard to move as the jaw seems to be articulated like the previous version but you can actually move it to a different position. Overall all another great figure.

 Now on to the Jaegers Coyote Tango and Chreno Alpha, both are similar to the previous Jaegers, they have great detail and have a sort of worn look like they have been through battles before, I felt the first Gipsy Danger and Striker Eureka were to clean you can say. Coyote Tango does seem to stand a little odd giving him a top heavy look, his legs are also stiff and hard to pose. Cherno Alpha is the brute of the bunch and it shows the biggest gripe with him is his head seems slightly off from his body it is not a big deal. One thing I did notice that is interesting is his fist they open and they extend out a nice little touch. Both make fine additions to the assortment. Overall this is a great series I truly hope they continue it.




Friday, March 7, 2014

Lego 3-Foot Tall Pacific Rim Jaeger Cherno Alpha







These photos show off a 3-foot-tall Jaeger robot inspired by Guillermo del Toro's Pacific Rim. It was created by LEGO artist Jason Corlett, who used 5,000 bricks and spent 70 hours to build the giant robot. One of the things I love about it most is that it is piloted by minifigs.

This is the Russian Jaeger known as Cherno Alpha. I wonder if Corlett has any plans of building any more because he totally should! I love the amount of detail that went into this.

Wednesday, March 5, 2014

Kaiju Battle Review: Pacific Rim Trespasser Figure



Trespasser one of the many kaiju of Pacific Rim and one of the first to appear in the film, attacking San Francisco as well as other cities. Now it is an awesome figure Trespasser is bigger then the two previous kaiju released by NECA like Leatherback released in wave 2 Trespasser has quite a few points of articulation and plenty of detail. Trespasser is very similar to Knifehead in style with two large arms and two smaller arms but both are articulated unlike wave 1 Knifehead in which the smaller ones were not (wave 3 Knifehead is different which we review in the near future), they also share a similar color scheme. The figure looks great but there is one thing that I was not crazy about which was the tail that is curved, due to the packaging, and is hard to move to a different position. The figure has a solid feel and is easy to pose overall joints are all firm but not to hard to adjust into different poses. The paint job on it is very good with one exception there are a few mistakes on one side of the figure's abdomen it is not horrible but it is slightly noticeable. Overall it is an great figure slightly better then Leatherback in my opinion, which is a great figure as well. This figure is part of wave 3 which includes Battle Damaged Knifehead, Cherno Alpha, and Coyote Tango, although the kaiju are definitely my favorites.



Trespasser And Leatherback

Saturday, February 15, 2014

CREATURE FEATURE : Cloverfield



Clover is the given name of an underwater life form that appears in Cloverfield and Cloverfield/Kishin. The creature was created by artist Neville Page and JJ Abrams.

Overview
The monster came from the Atlantic Ocean, where it was awakened by Tagruato submarines sent down from Chuai Station to investigate. The monster rampages throughout Manhattan, destroying the city in its path. This destruction causes the United States government to sacrifice New York City in an attempt to kill the monster with heavy ordnance in the Hammerdown protocol. Before that, the monster killed Jason Hawkins, crushing him with its tail on the Brooklyn Bridge; its parasites bite Marlena Diamond, causing her to explode from the central cavity; and it bites Hud Platt in half just moments before the Hammerdown protocol.

The whisper after the credits states that the monster is still alive, however, J.J. Abrams states that the military bombing killed the creature. The monster's origins are revealed in Cloverfield/Kishin.

History
The monster's origins are only revealed in the film's viral marketing campaign (Abrams wanted the movie to be realistic; if a monster did attack, civilians would have no idea where it came from), leaving some who have seen the film confused about where it really came from. Many speculate that it is of extraterrestrial descent, but this has been denied by J.J. Abrams. The object seen falling into the ocean is actually the Japanese government's ChimpanzIII satellite.

The monster is a deep-sea creature with an unknown evolutionary history. The species apparently has a very long life-span, as the creature is still an infant during the events of the film, regardless of being alive for thousands of years. It grew to its massive size through consuming large amounts of Seabed's Nectar, a natural steroid-like substance which is very addictive and causes increased cell division and growth, and is used by Tagruato's subsidiary company, "Slusho!", for use as their secret ingredient in their frozen drink of the same name. At some point afterward, the monster went into a sort of hibernation.

The monster was first discovered by one of Tagruato's marine biologists, Kazui Ichigawa. Tagruato later stole his laptop and files and killed him and his family while they were on vacation in Daisetsu-San National Park, covering the assassination up as the result of a gas explosion in their trailer. Later, they used this information to locate the monster and built the Chuai station over top of it, claiming (falsely) that they were drilling for oil there.

Shortly before the rig was supposed to open, Tagruato sent several submarines from the station down six miles to the ocean floor to study the monster. This action disturbed the creature from its slumber, and in a fit of rage and fear it destroyed the station, then proceeded towards Manhattan.

The creature, upon arriving to New York City, attempts to eat the Statue of Liberty's head, then throws it into the city when it realizes the head isn't edible. Though initially confused, the military's subsequent attacks frighten and later enrage the monster. For approximately five hours and fifty-seven minutes, it rampages throughout the city, destroying landmarks and battling the military. News companies were able to get their news choppers into the air to report the event, but after several choppers were taken down by the creature, the military suspended all news chopper activity. Evacuations of people and resources from the city were successful, and it is estimated that approximately 1.4 millions residents and visitors were evacuated by tunnel, helicopter and bridges, in which 350,000 of those residents and visitors were evacuated via the Holland Tunnel. By 0600 (6:00 AM), 78 successful airlifts from Manhattan had been completed, with only 2 choppers going down. After several failed attempts to kill the monster, the government approves the military execution of the HAMMER-DOWN Protocol at 0442 hours (4:42 AM), 120 minutes before execution, in a last ditch effort to destroy the monster.  120 minutes later, United States military aircraft flew over Manhattan, deploying their weapons to ultimately kill the creature.
According to film producer J.J. Abrams, the creature is officially "...a baby. He's brand-new. He's confused, disoriented and irritable. And he's been down there in the water for thousands and thousands of years".

Biology
The monster is a 240-300 foot high quadruped with long tri-fork finned tail. The uppermost double-jointed limb pair is longer than the other two, ending in a multi-fingered hand which can bend backward so that the creature can walk on its fingers. The double-jointed, squat legs are powerful enough to support the creature’s mass, and yet still allow it to move relatively quickly for an organism of its size. Each of its feet is 30-40 feet in length, roughly the size of a city transit bus. The creature is covered in gray skin that exhibits a white pallor, possibly due to an absence of light on the ocean floor. The skin is also host to thousands of dog-sized parasites creatures.

Its head has sharp, bony features and two eyes with pupils large enough to almost obscure their requisite sclera from view. Its face resembles that of a piranha or an angler fish. There are a set of membranous sacks on either side of the head behind the eyes, which inflate and recede back into the head. Some speculate them to be "ear membranes", much like those of a frog. Some fans have speculated that they are filled with some type of fluid to help it adjust to the different pressures it encounters on land. Others say they help the monster breathe the air which would be thin to it, due to its large size.

Tucked between the monster's legs are two "external esophogi". The esophogi are used to eat creatures much smaller than itself (humans and any other large animals). In the Cloverfield/Kishin manga, the monster's external esophogi are shown using long, thin tubes to wrap around the victims and bring them in, though how much the manga can be trusted on these matters is unclear. The esophogi were first clearly seen when Hud looks up at the monster before it bites him. Fans originally misinterpreted the tubes to be limbs before their true nature was revealed. The esophogi end with teeth-like projections. It devoured several dozen Central Park carriage horses with, as well as (most likely) the people that Marlena mentioned the monster was eating when it moved down Broadway.

The creature's skin showed a strong resistance to projectile weaponry, due to the immensely high resistance deep-sea creatures have shown against heat and pressure due to their environmental conditions. Shells from M1A2 tanks and M109A6 Paladins,  AT-4 rockets and FGM-148 Javelin missile launchers, AGM-65 Mavericks and Mk-82 bombs and other high powered ordnance failed to do anything other than aggravate and frighten the creature.


Diet
The Monster's diet covers a large array of foods. The first hint at the monster's diet was when a photo of whales the monster had partially consumed appeared on 1-18-08.com. In Cloverfield, Marlena says she saw it "eating people". The exterior esophogi are the right size to consume humans, among other things. Other amateur video footage of the Cloverfield event reveal that the monster was also seen eating multiple horses at the same time with these tubes. However, it also eats humans with its mouth, as it bit one of the main characters in half.


Parasites
The Parasites are the secondary monsters in the film Cloverfield.

Overview
The monster was covered in 2,000 Parasites that are roughly the same weight and height as a dog. They have 10 legs consisting of six spider-like, double jointed limbs and 4 "pincers" on the top and back of its body. They have very large jaws, pale gray skin and multiple black eyes.

The Department of Defense codenamed the parasites "HSP" (Human Scale Parasite). The Military notes how the parasites attack in pack coordination and prefer enclosed spaces for trapping and surprising their prey. They can also detect unsuspecting victims from afar, by an unknown method. The parasites are also suspected to be the reason the monster made its violent emergence from the water and onto land.

A dead Parasite (tagged "Specimen #94P") was a key component in the Department's research in the physiology of the HSP. A yellow substance around its mouth was initially thought to be a sort of venom; however, further studies indicate that it may be a form of saliva.


Parasite Bite
The Parasites have concentrated levels of Katei no Mitsu in their blood, a key ingredient in Tagruato's Slusho! beverage. One theory is that water poured onto a Parasite causes a reaction in the Parasite's saliva that accelerates the degenerative process in the HSP's victims; The life span of a victim varies between 20 or 40 minutes. Moments before death, victims of Parasite bites exhibit symptoms of dizziness, bleeding from the eyes and nose alongside vomiting blood.

Their bodies expand and the central cavity explodes outward. Marlena Diamond and a soldier being carried out on a stretcher died in this manner. Isolation of victims in their final moments are a precaution against initial fears of viral contamination. The rapid containment of their bodies before inevitable combustion is also necessary for hygienic purposes.

Movement

The parasites' movement is unique in that they have the ability to climb walls and cling onto ceilings. Their leg movement is similar to that of spiders, and have the ability to jump great distances.



Sunday, February 9, 2014

Interview Of The Godzilla Encyclopedia Publisher Kouhei Nomura

From Japan Times

Kouhei Nomura published a glossary titled “The Godzilla Encyclopedia” in 2004 after six months of dedicated research. He delivers his verdict on why the king of the monsters is so popular worldwide.
Do you have a favorite “Godzilla” movie?

The original “Godzilla” that was released in 1954 remains in a class of its own. There is something in the air throughout the film I can’t put my finger on, and there is also a strong anti-nuclear message. I’ve seen it dozens of times but I’ve never grown tired of it. However, it’s important to note that the version that was released in the United States was heavily edited. The U.S. version (titled “Godzilla, King of the Monsters!”) includes new footage featuring actor Raymond Burr, who plays an American journalist in Japan. The plot is basically the same, but the path Godzilla takes is a bit absurd, because he goes from Ginza to the National Diet, and then back to Ginza and so on.

What was the first “Godzilla” movie you saw?

“King Kong vs. Godzilla,” which was released by Toho Studios in 1962. That was also the first movie I ever saw in a theater. It was both scary and powerful at the same time. And there was also a hint of comedy in the story line, which I enjoyed. While the original “Godzilla” was great, I also like watching the films in which Godzilla battles a rival monster.

Godzilla has a star on the Hollywood Walk of Fame. In your opinion, why does the monster have universal appeal?

Personally I think it’s a combination of the film’s human drama and the powerful images. I think fans overseas were impressed by the special effects, which at the time were groundbreaking. Years later, Godzilla became closely linked with Japan and, ultimately, was considered to be a symbol of the country’s pop culture.

A reboot of “Godzilla” is coming out in the U.S. this year. What is your take on Hollywood remakes of “Godzilla?”

“Godzilla” movies made in the United States are not “Godzilla” movies, they are just movies about a gargantuan living creature. The very idea of Godzilla is different. In the United States, Godzilla is something that can be overcome with military weapons, but that isn’t necessarily the case in Japanese versions. Over here, Godzilla is more than just a giant creature. It’s in some way a metaphor for natural disaster. It can’t simply be beaten. Godzilla is more than a monster, it’s a symbol. However, don’t get me wrong. I will definitely see the new “Godzilla” movie in theaters, in the same way that I watched the Roland Emmerich version (in 1998).

Godzilla is a sexagenarian. What do you think will happen to him next?

After “Godzilla: Final Wars” (2004), Toho Studios announced they had decided to pull the plug on the series, presumably because of the increasing costs. However, the popular “Always Zoku Sanchome no Yuhi” (“Always: Sunset on Third Street 2″) film that was released in 2007 opened with footage of Godzilla destroying Tokyo [one of the characters in the movie was imagining this]. It shows there is still demand for Godzilla in Japan. Circumstances might not be right to film a sequel now, but I am hoping Toho surprises us and puts out a new movie. That would be awesome.

Note: about the book,
In this photobook, Kodansha has published hundreds of bright color and black/white tokusatsu pictures many of which have not appeared in the other Godzillla books published previously.  Such a fresh look is one reason that distinguishes this book from so many other ones, that and the fact that this is the most current book published that sequentially chronicles the entire history of not only Godzilla but also almost all of the rest of the Toho SFX catalog from 1954 to 2004.

In addition to all 28 of the Godzilla movies to date, the book also includes the other films, mostly from the triumvirate production team of Tananka, Honda and Tsuburaya:  such Toho classics as Rodan, the Mysterians, Battle in Outer Space, Varan, Mothra, Ghidrah, Frankenstein Conquers the World, H-Man, Human Vapor, Matango, Atragon, Yog, King Kong Escapes, the 90's Mothra trilogy and many, many more.

Thursday, February 6, 2014

Jurassic World Lines Up Shooting Locations In Hawaii And Louisiana

From SuperHeroHype

One of 2015's most highly-anticipated blockbusters, director Colin Trevorrow's Jurassic World is getting ready to enter production and has today revealed plans to lens in both Hawaii and Louisiana. MidWeek reports that the production will shoot for four weeks on Oahu in April and then two weeks on Kauai. Then, as revealed today by The Times-Picayune, the shoot will head to New Orleans, Louisiana for 11 weeks beginning in June.

Trevorrow also posted on Twitter that the movie will be shot both on 35mm and 65mm.
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